{"id":92,"date":"2018-02-22T04:06:38","date_gmt":"2018-02-22T04:06:38","guid":{"rendered":"http:\/\/brahmsonthepacific.com\/?page_id=92"},"modified":"2019-02-16T16:51:17","modified_gmt":"2019-02-16T16:51:17","slug":"keynote-speakers","status":"publish","type":"page","link":"http:\/\/brahmsonthepacific.com\/index.php\/keynote-speakers\/","title":{"rendered":"Keynote Lectures"},"content":{"rendered":"<h4 style=\"text-align: center;\">Keynote Lectures<\/h4>\n<h3><a href=\"http:\/\/brahmsonthepacific.com\/index.php\/julian-horton\/\">Keynote Lecture 1<\/a><\/h3>\n<p>&#8220;Brahms and the Theory of Romantic Form,&#8221; Professor Julian Horton (Durham University, UK), Friday 1 February, 5.30\u20136.30, Winifred Smith Hall<\/p>\n<p>\u00a0<\/p>\n<p><iframe loading=\"lazy\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/naCWhOq47vA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>\u00a0<\/p>\n<h3><a href=\"http:\/\/brahmsonthepacific.com\/index.php\/natasha-loges\/\">Keynote Lecture 2<\/a><\/h3>\n<p>&#8220;Femininity, Fragments and Fingers: Reconstructing Brahms&#8217;s Intellectual World,&#8221; Dr Natasha Loges (Royal College of Music, London), Saturday 2 February, 5.45\u20136.45, Winifred Smith Hall<\/p>\n<p>\u00a0<\/p>\n<p><iframe loading=\"lazy\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/nwCQMBYXJUc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #800080;\">Both of these Keynote Lectures are sponsored by <a href=\"_wp_link_placeholder\">UCI Illuminations<\/a> and are free and open to the public<\/span><\/p>\n<p>\u00a0<\/p>\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"221\" src=\"http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10-1024x221.png\" alt=\"\" class=\"wp-image-489\" srcset=\"http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10-1024x221.png 1024w, http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10-300x65.png 300w, http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10-768x165.png 768w, http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10-1200x259.png 1200w, http:\/\/brahmsonthepacific.com\/wp-content\/uploads\/2018\/12\/Screenshot-2018-12-12-16.29.59-10.png 1383w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Keynote Lectures Keynote Lecture 1 &#8220;Brahms and the Theory of Romantic Form,&#8221; Professor Julian Horton (Durham University, UK), Friday 1 February, 5.30\u20136.30, Winifred Smith Hall \u00a0 \u00a0 Keynote Lecture 2 &#8220;Femininity, Fragments and Fingers: Reconstructing Brahms&#8217;s Intellectual World,&#8221; Dr Natasha Loges (Royal College of Music, London), Saturday 2 February, 5.45\u20136.45, Winifred Smith Hall \u00a0 \u00a0 &hellip; <a href=\"http:\/\/brahmsonthepacific.com\/index.php\/keynote-speakers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Keynote Lectures&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-92","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/pages\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":25,"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/pages\/92\/revisions"}],"predecessor-version":[{"id":665,"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/pages\/92\/revisions\/665"}],"wp:attachment":[{"href":"http:\/\/brahmsonthepacific.com\/index.php\/wp-json\/wp\/v2\/media?parent=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}